Processional custody of Corpus Christi

by Enrique de Arfe

A renewed concept of processional custody was introduced into Spain by the goldsmith Enrique de Arfe. The value of this creation lies not only in the quality of the piece or the richness of its iconographic series, but also in the fact that it led the way for a new artistic trend that was unknown in Cordoba until that time, and which saw the transition from Gothic to Renaissance.

This exceptional piece is made up of four different bodies. First we see the original base, consisting of compartments created by trefoil arches and filigree points. In its interior are eighteen scenes corresponding to the Public Life, Passion and Resurrection of Christ. The figures comprising it do not exceed 55 millimetres, amply demonstrating the technical mastery of Enrique de Arfe.

This is followed by the temple of the glass and gold case, a main body whose function is to serve as a monstrance for the Sacred Form. This body, sitting on a base with scroll-work and angels, is formed by a cylindrical glass buttress from which the interior towers come out, which at the same time links to the outside by flying buttresses.

Next is the temple of the Assumption, which houses the Marian representation made by the silversmith Bernabé García de los Reyes. From an architectural viewpoint, this body is configured through small towers connected to each other by supports of dolphins being ridden by angelic figures.

The final body corresponds to the temple of the bell, which has a series of hexagonal towers linked through floral wreaths. It is finished off with a bell, cupola and a crown from which another six smaller bells hang. The ensemble is completed with a base upon which, like a pedestal, the figure of the triumphant Saviour is found.